hahahahaa

hahahahaa

a-mini-a-day:

Mini hobbit hole necklace in a nice bell jar by Peaches and Pebbles.

I WANTZ IT.

  1. Camera: SONY DSLR-A200
  2. Aperture: f/7.1
  3. Exposure: 1/125th
  4. Focal Length: 60mm
"But remember, there are two ways to dehumanize someone: by dismissing them, and by idolizing them."
— David Wong (via the-occipital)

(Source: gassions)

everydayfrustone:

Infrared Photography by David Keochkerian
These infrared photographs taken by France-based photographer David Keochkerian look like bizarre, saturated landscapes created from a Dr. Seuss illustration. Seasons seem reversed, with white trees appearing in spring, and bushes are transformed into something that looks like fragile blades of bubble gum.
source. Colossal


Breathtaking. everydayfrustone:

Infrared Photography by David Keochkerian
These infrared photographs taken by France-based photographer David Keochkerian look like bizarre, saturated landscapes created from a Dr. Seuss illustration. Seasons seem reversed, with white trees appearing in spring, and bushes are transformed into something that looks like fragile blades of bubble gum.
source. Colossal


Breathtaking. everydayfrustone:

Infrared Photography by David Keochkerian
These infrared photographs taken by France-based photographer David Keochkerian look like bizarre, saturated landscapes created from a Dr. Seuss illustration. Seasons seem reversed, with white trees appearing in spring, and bushes are transformed into something that looks like fragile blades of bubble gum.
source. Colossal


Breathtaking. everydayfrustone:

Infrared Photography by David Keochkerian
These infrared photographs taken by France-based photographer David Keochkerian look like bizarre, saturated landscapes created from a Dr. Seuss illustration. Seasons seem reversed, with white trees appearing in spring, and bushes are transformed into something that looks like fragile blades of bubble gum.
source. Colossal


Breathtaking. everydayfrustone:

Infrared Photography by David Keochkerian
These infrared photographs taken by France-based photographer David Keochkerian look like bizarre, saturated landscapes created from a Dr. Seuss illustration. Seasons seem reversed, with white trees appearing in spring, and bushes are transformed into something that looks like fragile blades of bubble gum.
source. Colossal


Breathtaking. everydayfrustone:

Infrared Photography by David Keochkerian
These infrared photographs taken by France-based photographer David Keochkerian look like bizarre, saturated landscapes created from a Dr. Seuss illustration. Seasons seem reversed, with white trees appearing in spring, and bushes are transformed into something that looks like fragile blades of bubble gum.
source. Colossal


Breathtaking. everydayfrustone:

Infrared Photography by David Keochkerian
These infrared photographs taken by France-based photographer David Keochkerian look like bizarre, saturated landscapes created from a Dr. Seuss illustration. Seasons seem reversed, with white trees appearing in spring, and bushes are transformed into something that looks like fragile blades of bubble gum.
source. Colossal


Breathtaking.

everydayfrustone:

Infrared Photography by David Keochkerian

These infrared photographs taken by France-based photographer David Keochkerian look like bizarre, saturated landscapes created from a Dr. Seuss illustration. Seasons seem reversed, with white trees appearing in spring, and bushes are transformed into something that looks like fragile blades of bubble gum.

source. Colossal

Breathtaking.

If I wrote a children’s story… it would probably end up something like this.

newyorker:

Shouts & Murmurs: The works of Homer, F. Scott Fitzgerald, and Jack Kerouac get rejected: http://nyr.kr/VAENdF

Dear Mr. Homer,

Thank you for coming into the office last week and performing your epic poem. Unfortunately, we do not buy books based on pitches. We think your story is very interes—no, actually we don’t…

I got a pretty big kick out of this.

Have you had coffee today?

zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly. zucherman:

Disappointed People Holding on to Guardrails  (Part II)
24”x36”, oil on canvas.
Zachary Johnson


I want one… I want one so badly.

zucherman:

Disappointed People Holding on to Guardrails  (Part II)

24”x36”, oil on canvas.

Zachary Johnson

I want one… I want one so badly.